Poems

In my mind poetry is an exercise in writing without the crutch of concrete language and the adherence to rules. Though at times my poetry follows a formula (couplet, terza rima, etc,) I more often seek to capture a memory or emotion with all of its imagery and tangible objects, in hopes to ultimately  transcend the ordinary and daily routine. I wrote most of my poems for a class at BYU, but there are some that were written before and after college. The poems I wrote in college followed formulas mentioned above that I will describe more in detail for each specific poem.

FOR THE FIRST TIME

(04/09/2009)

Pressed against the glass my mother

watched him vanish into the clouds.

Her oldest flew for the first time

to a place unknown – a place that

captured the world in its gloved fist.

A child’s laugh lived in an empty

room, where a boy became a man.

A year later and much had changed.

No carols in December snow.

Dinner for three but a fortnight.

A card for Jesus on the wall.

Alone with mother for the first time,

I heard her whisper on the phone.

A tear stained my mother’s cheek bone

painted on by nights on her knees.

A son’s photos, blind to that tear,

provoked sudden vows of silence.

I counted the lines on her face

as she rested from her worries.

Father arrived late and kissed her

for the first time in a long time.

First to satisfy my demands;

second to quench the lonely heart.

For the first time, I passed through life

as an only child and saw the child in all.

THE SHADOW THAT MOCKS

(villanelle – 01/17/2006)

When the shadow mocks his actions

Seas of glass shatter asunder.

Born anew are his infractions

If he welcomes his distractions.

Every blemish gives forth thunder

When the shadow mocks his actions.

Ashamed and disgusted he shuns

His carbon copies of blunder.

Born anew are his infractions

Glaring truths and fierce reactions;

Two-faced he screams twice the louder,

When the shadow mocks his actions.

Clouds float with constant exactions,

Shroud the thirst, bury it under.

Born anew are his infractions

To torment past satisfactions.

Will he ever escape we wonder;

Born anew are his infractions

When the shadow mocks his actions.

THE BRIDGE TO ILWACO

(terza rima – 01/30/2006)

The bridge to Ilwaco connects two states

and transports you to your native soil,

where the old evergreens are worth the bate.

On river and sea fisherman toil

to catch salmon. Lighthouses light the way

through a rain so fierce that it spoils

the hushed morning and perfect bouquet

of wild flowers. You try to atone

for the town’s sins, but to your dismay

the town is the same tasteless hole, prone

to litter your mouth with cavities.

Peep shows for a quarter, a whalebone

for the taking – the treasures are freebies

no longer around. The donut shop

mourns their loss and family tragedies.

A student’s mother marries a black cop

to which her son shoots himself in the mouth.

A room with a view from the treetops

still cannot help through flood or drought,

that swelled your daughter’s belly or blew

the light out. Once a festival of sound,

of kites, and sandcastles, now imbued

with bad taste and rotten seaweed.

The place you called home is more than askew.

HEADS OR TAILS?

(ghazal – 02/07/2006)

Two sides to a coin – night and day, left and right –

each walks its own path, alone and together.

A man swims in the ocean dressed in a suit and tie.

He flees from his wife and teenage son they raised together.

A woman’s face once hidden, now unveils beauty

behind sparkled eyes that catch the light together.

African boys carry automatic weapons

while their mothers shed soft tears in prayer together.

Star-shaped piñatas burst at the seams on birthdays

when a blind boy and a deaf girl swing together.

Two towers side by side stood for all to see

until the eleventh day, when they fell together.

Crippled children and an old Jewish lady travel

on a yellow school bus, singing lullabies together.

Wild flames lick the leaves from the forest stems

as the baby foxes and deer run away together.

An Irish farmer chops wood in the snowy hills,

far from home where babies are born, joined together.

And I, Matthew, ask the two sides – pairs

and polar opposites – will you fight or unite together?

THE QUEST

(couplet – 02/16/2006)

Twisting through the tangled mesh

of branches and pine cones, my flesh

crawled with sticky sap and sweat.

The further I climbed, the quieter the musette.

Fire ants pricked my spine

and crossed the tumor once benign.

The sun’s rays were blocked by a cloud,

in the shade, I was enshrouded.

I hoped this struggle was not in vain,

if the great height, the eye attained.

Dear God, where did you flee

when I reached the top of the tree?

At the climax of this quest

a bird’s view my breath arrests.

A flock of swans migrated

South to a warmish state

where lizards baked in desert heat

and time was told by a heartbeat.

But here the wind blew too quick

to conceal my fear and calm my stomach.

Do I have time to make amends

before my spirit to heaven ascends?

If not, I’ll fly with Icarus’ wings

and taste the cold that winter brings.

MORNING OBITUARIES AT MY DOOR

(blues stanza – 03/09/2006)

Everyday the newspaper arrived;

the morning of obituaries arrived

to remind me that strangers had died.

A famished child eaten by flies

joins the ranks who drop like flies,

while the rich share passive sighs.

A man awoke with no real memory

of his wife, friends, and yes, no memory.

His old mind and body he readied to bury.

A father of two caught in the undertow

swam to save his son in the undertow,

but he vanished, a waving echo.

A teenager heard voices in her head,

demonic lyrics and images in her head,

until she didn’t wake up from bed.

News of Aunt Peggy caught my eye,

breast cancer finally closed her eye.

She left before she said goodbye.

The list of names goes on and on.

Ignorance, something sure to depend on,

for all the good times now are gone.

SILENCE INVITES THE GLOW

(rimas dissolutas – 03/20/2006)

Under the Caribbean sun and clear sky

an American reclines on the white sand

of Culebra Beach. He wades waist deep to see

his toes touch the coarse surface of coral reef.

The tide rushes in and envelops the man.

Carried to shore with foam and shellfish, he breathes

the water into his nostrils, while nearby

a native girl extends a helping right-hand.

The girl greets the man with a silent curtsy;

the moment ignites passion with no restrain.

She leads him through Old San Juan to taste pecan

pie, fresh on the cobblestone streets. A warm breeze

blows in the tunnels of El Morro where dried

up cannonballs rest after war. The girl stands

with him in Plaza de Colón, shares secret

childhood stories, but he remains quiet and reads

her lips. Men play chess on stones while a woman

dances Salsa. To him this night is bequeathed.

On the Luminescent Bay, they do not pry

into each others’ feelings, but understand

that silence invites the glow that words clearly

chase away. For luck she gives him a four-leaf

clover from Yunque and makes one last demand –

a kiss by the waterfall before he leaves.

THE RECLUSE

(ballad stanza – 03/23/2006)

Naked on the bathroom floor, I sat

exposed to the cold air.

Mine fields were outside my locked door

and a sign that said beware.

People passed me in the chapel,

their minds always elsewhere.

When I tried, myself, to read aloud

music was all a blare.

No one found me in that deep well

till my clothes were threadbare.

A skeleton kept me company

in my darkest nightmare.

Years I walked the desert alone

and never cut my hair.

Now I refuse to leave this room

till someone shows he cares.

GOOD FRIDAY

(rondeau – 04/07/2006)

Once a year the Maya celebrate

the resurrection of Christ. From an ornate

cross, they remove his statue and spray

him clean. In an urna he parades

through town, carried by men whose mandate

is a test of strength they never debate.

They dance the Lord and walk him straight,

repeating the traditions of Good Friday,

Once a year!

Songs are sung that no one translates,

by hand, a carpet of sawdust, they create,

so that the Savior awakes and does not stray

from the Cofradia and the offerings on display.

Upon his arrival, his wounds they palpate,

Once a year!

AT THE FOREST’S EDGE

(sonnet – 04/10/2006)

At the forest’s edge, dawn crept, slow

and persistent, fighting a battle never to be won.

Balloons were life on a limb, a memory I couldn’t swallow

of birthday wishes and youthful breath stolen

before the candles blew out. A rose flowed

downstream, drowning in my anniversary of omens.

At the base of a mountain, my journey hit a plateau -

a ring buried in ashes awoke demons

from within and there was no turning back.

My reflection in the glass screen warped my brain.

Shrouding the canvas in a cancer infested black

cloth, was the portrait of my wife, and to her, said I,

unchain my heart to let it breathe. I, forever will be racked

with the scars of my inhumane acts. Nothing’s done in vain.

BEHIND THE PAPER CURTAINS

(ottava rima – 04/13/2006)

I am a father. Not by birth or adoption,

but with a pencil, I created and formed

the son of mine. Behind the curtains

made of paper, I protected him from the storms

of criticism. But what life was that, stuck in a coffin?

The flaws of his world were not fiction, but lukewarm

water that I spewed out. It was not he, who I punished,

but my own hand, if it did not write would perish.

FAREWELL EXAM, WELCOME LIMBO

(cinquain – 04/14/2006)

Farewell

is in order

to exams, fees, and grades:

four years have passed I am afraid.

A choice

will come

and force its way

into my brain like moths

burrow through cocoons swathed

in silk.

No place

to run, but fly

to the light and knowledge

embraced in my rite of passage.

Limbo

returns

if I ignore

the course of my studies,

then soon, “come join,” calls the armies

to war.

THE DAY THE ENEMY ENTERED

(sextilla – 04/14/2006)

The day the enemy entered

and stole my wife away, a six

lettered word was spoken, not heard.

The willows wept at our skeptic

friends, her tresses fell out, stunted

by needles. My mind conflicted

at the sight of such pain; hundreds

of miles away or in the same

cramped room, no hiding place granted

us an escape, no god to blame.

I stood by and watched her crumble

in landslides we struggled to climb.

Sometimes the struggle or the fight

weakened or crumbled my patience.

Could I escape or her take flight?

A wish to hide from the hindrance

of caretaking, miles down the road,

forged a pain built up to corrode.

Conflicts too great to bear – her hair

fallen and clogging the drain, sleep-

less nights, weeping unanswered prayers.

Compliments I spoke, stopped skin-deep.

To wife, no more I paid the price,

when the enemy matched my vice.

THE GOLDEN MIST

(04/14/2006)

The golden mist glimmered in my eyes,

a reflection of the memories we lost at sunrise.

Seas of glass shattered and tore

with each new dip of my oar.

The burden was more than a deep debt

when the fish broke through the net.

My heart wept great drops of blood,

from the veins there was a flood.

Wounds of years past and moments

gone on too long, now not silenced,

scream out through the scars and sinew.

A plea for air breathed anew

is heard on the highest mountain top,

sounds through the trumpet, the teardrop

and the deepest lung. For it forewarns

if it falls again, it will soar and adorn

the sky with songs of a burning fire.

All manner of things would then transpire.

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